This book focuses on the philosophy of the sixteenth-century Mādhva Vedānta philosopher Vyāsatīrtha. Vyāsatīrtha’s Nyāyāmr̥ta influenced philosophers throughout India and propelled his tradition to the center of the power-politics of the Vijayanagara Empire. The book uses original translations of Vyāsatīrtha’s works to reconstruct his philosophical defence of realism about the empirical world against the Advaita Vedāntins.

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Where is the ""life"" in scholarly life? Is it possible to find in academic writing, so often abstracted from the everyday? How might religion bridge that gap? In Love in the Time of Scholarship, author Anand Venkatkrishnan explores these questions within the intellectual history of a popular Hindu scripture, the Bhagavata Purana, spanning the precolonial period of the fourteenth to eighteenth centuries in India. He shows that Brahmin intellectuals writing in Sanskrit were neither impervious to the quotidian religious practices of bhakti, nor uninterested in its politics of language and caste. They supported, contested, and repurposed the social commentary of bhakti even in highly technical works of Sanskrit knowledge, and their personal religious commitments featured in a language and genre of writing that deliberately isolated itself from worldly matters. The religion of bhakti bound together the transregional discourse of Sanskrit learning and the local devotional practices of everyday people, though not in a top-down manner. Rather, vernacular ways of being, believing, and belonging in the world could and did reshape the contours of Sanskrit intellectuality. Venkatkrishnan revisits the historiography of the Bhagavata Purana to expand our knowledge of the many different religious and philosophical communities that interpreted and laid claim to the themes of the text. While most associated with the traditions of Vaisnavism, Love in the Time of Scholarship brings to light how the Bhagavata was also studied by Saivas, Saktas, and others on the periphery of the text's history.

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This book consists of seven chapters on the subject of poetry and itinerancy within the religious traditions of India, Tibet, and Japan from ancient to modern times. The chapters look, each from a different angle, at how itinerancy is reflected in religious poetry, what are the purposes of the wanderers’ poems or songs, and how the wandering poets relate to local communities, sacred geography, and institutionalized religion. We encounter priest-poets in search of munificent patrons, renouncers and yogins who sing about the bliss and hardship of wandering alone in the wilderness, Hindu pilgrims and opponents of pilgrimage, antinomian Buddhist-Tantric poets from Bengal, and the originator of the haiku. We are led along roads travelled by many, as well as paths tread by few.

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This book consists of seven chapters on the subject of poetry and itinerancy within the religious traditions of India, Tibet, and Japan from ancient to modern times. The chapters look, each from a different angle, at how itinerancy is reflected in religious poetry, what are the purposes of the wanderers’ poems or songs, and how the wandering poets relate to local communities, sacred geography, and institutionalized religion. We encounter priest-poets in search of munificent patrons, renouncers and yogins who sing about the bliss and hardship of wandering alone in the wilderness, Hindu pilgrims and opponents of pilgrimage, antinomian Buddhist-Tantric poets from Bengal, and the originator of the haiku. We are led along roads travelled by many, as well as paths tread by few.

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This volume presents a sophisticated and intricate examination of the parallels between Sanskrit and Greco-Roman literature. By means of a philological and literary analysis, Morales-Harley hypothesizes that Greco-Roman literature was known, understood, and recreated in India. Moreover, it is argued that the techniques for adapting epic into theater could have been Greco-Roman influences in India, and that some of the elements adapted within the literary motifs (specifically the motifs of the embassy, the ambush, and the ogre) could have been Greco-Roman borrowings by Sanskrit authors. This book draws on a wide variety of sources, including Iliad, Phoenix, Rhesus and Cyclops (Greco-Roman) as well as Mahābhārata, The Embassy, The Five Nights and The Middle One (Sanskrit). The result is a well-supported argument which presents us with the possibility of cultural exchange between the Greco-Roman world and India – a possibility which, though hypothetical, is worth acknowledging. Due to its comparative nature, this volume will appeal to both Indologists and Classicists, including Mahābhārata scholars, Sanskrit theater scholars, and those interested in comparative work with Sanskrit literature. It brings an original perspective to the field, and provides inspiration for new lines of research.

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For more than a millennium, Kālidāsa’s poem “Lineage of the Raghus” ( Raghuvaṃśa) has been acknowledged as one of the masterpieces of Sanskrit literature. Thousands of manuscripts transmit it, and dozens of pre-modern commentaries expound the text. This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later. Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.

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